... "actors from one location break through the stage partitions into the other areas"29. This ending, the breaking down of partitions between parts of the stage, set the tone of intersubjectivity between actors which became a key part of the Futurist agenda in further disintegrating the theatrical boundaries not only between performers, but equally between performers and audience. McConachie details the psychological and cognitive effects of the theatre when the bridge between audience ... shout their manifestos, poetry, and insults towards the audience. In spatial terms, the performer–a...

• Word Count: 5030
• Approx Pages: 20
• Has Bibliography
• Grade Level: Graduate

... exist before making an attempt to bridge one culture with another. It happens too often that a dominant culture tries to deny that these cultural differences do exist. Maiello (1999) establishes that for cross-cultural psychotherapy to be considerate of the patient's 'otherness,' the therapist's listening function must include a 'translation' of the specific meanings of cultural aspects from the patients 'language' into his own ... may believe that it is better to match a patient with a therapist who shares the same ethnocultural background. Tseng (1999) believes that the...

• Word Count: 2645
• Approx Pages: 11
• Has Bibliography
• Grade Level: Graduate