1. French Anarchism and Italian Futurism: 1890-1920
... divided into three partitions, in each of which three independent performances occurred simultaneously with no logical relation to one another, the climax arriving when, as Taylor describes when "actors from one location break through the stage partitions into the other areas"29. This ending, the breaking down of partitions between parts of the stage, set the tone of ... intersubjectivity between actors which became a key part of the Futurist agenda in further disintegrating the theatrical boundaries not only between performers, but equally between performers and audience. McConachie de...
- Word Count: 5030
- Approx Pages: 20
- Has Bibliography
- Grade Level: Graduate