... properties, song form and structure, harmonic progression and melodic contour, the dynamic relationship between harmony and melody as well as the lyrical content. As my pop piece, I have selected the classic Jailhouse Rock by Elvis Presley. I define this as a popular song because it charted at number 1 in the Billboard Hot 100 Charts (All Music, 2014) and the UK Singles Chart (Official ... bang on with the first two beats of the bar locking in with the bass drum which is also placed at the first two beats of the bar. This is a classic example of a rhythm section being totally locked in ...

• Word Count: 968
• Approx Pages: 4
• Has Bibliography
• Grade Level: High School

... the repeat of theme A before the beginning of them C, and like all rags being rhythmically more flexible with the left and right hands set apart in syncopated tension. This is classic ragtime. West End Blues For the first half of his life, everything Armstrong did was copied as fast as he could record it, but this 1928 recording of a 12-bar ... the same simple-to-complex patterns. Then on the last chorus Armstrong quickly rises to a high b-flat and holds the note for four whole bars. When the strain of the notes length and height is at its maximum, he releases it, lurching downward agai...

• Word Count: 1230
• Approx Pages: 5
• Grade Level: High School

... Miller Orchestra from 1941, which was taped on film as one set and then made into an audio recording with separate tracks. The track I chose to listen to was , the classic, In the Mood. This saxophone feature has one of the coolest and most knows saxophone licks ever. This song was written as a dance and jive song with its up beat ... there is an impression that they are standing out in front of the band. Most of the song is played with a swing feel on the hi-hat, and the bass notes are really plucked throughout the whole song. There is a shout chorus at the end which is the grand final...

• Word Count: 301
• Approx Pages: 1
• Grade Level: High School