1. Punch Drunk Love
Winning the Best Director Award, for this film at Cannes 2002, Anderson takes his audience on a less grandeur ride than he did in previous works of the same genre, as it is missing the colourful complex plot lines, but works equally as well with the simple story used. ... Aside from this, the film does indulge in many symbols. ... Other titles that the film was working with included; Desserts. ... Colour does have a very large effect in this film. ... Like all films of this same art-house genre, there is a common thread of symbolism that runs throughout, so much so in this film, that it appear...
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