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... , armless, legless, lifeless soldiers are Speilberg's constant reminders of the inescapable tragedies of war. Emmerich, however, has his actors die with a scream or groan and then it's on to the next. Unless, of course, it's a principal that's dying. Then the death must be drawn out. The scenes following the battle also differ with the movie. Once THE PATRIOT soldiers are at ... ...
... authentic. The randomness of the gunfire, for example, is designed to create the chaos of the sequence. Whether it is realistic or not will be discussed in detail in the next section of this essay. For now we must turn our attention back to a portion of film theory that helps form the notion of authentism. Michel Chion discusses realism in relation ... ...
... isn't ruled by any conventional plot devices. Instead, the film wanders exactly like someone telling a story. In many respects, the viewer doesn't know where the story is going to go next. The true essence of the film has to do with the people Forrest comes in contact with along his journey. Early in the film we're told that Forrest Gump ... ...
