... with Othello. It is wrong to assign intentional blame for the results at the end of Othello on any character other than Iago. Iago wished for Othello to become a jealous monster and destroy himself and his marriage through Iago's nefarious machinations. However, some fault must be given to Othello for failing to see through the veil of lies that Iago presented ... ...
... your love?" By asking this question, Iago's suggestion slowly starts to turn Othello's mind into thinking all the worst possibilities. This is the start of Iago turning Othello into a jealous monster at the end of the play. Line 323 The power of jealousy is very strong and can make you think that even the smallest thing to seem important. Iago speaks ... ...
... she love him. Othello's perception of Desdemona starts to change with Iago's interference. Iago warns him to not be jealous. "O beware, my lord, of jealousy: it is the green-eyed monster which doth mock The meat it feeds on." (Act 3, Scene3, Line 167-169). Iago cunning advises Othello not to become jealous but at the same time he is telling Othello ... ...
... not a natural affliction but a self induced disease of the mind. She tells Desdemona, "Jealous persons are not ever jealous for the cause, but jealous for they are jealous. It is a monster begot upon itself, born on itself". Iago's own testimonial bears this out, for his jealousy is at one wholly irrational and agonizingly self destructive. "I do suspect the lusty Moor/ Hath ... ...
... she love him. Othello's perception of Desdemona starts to change with Iago's interference. Iago warns him to not be jealous. "O beware, my lord, of jealousy: it is the green-eyed monster which doth mock The meat it feeds on." (Act 3, Scene3, Line 167-169). Iago cunning advises Othello not to become jealous but at the same time he is telling Othello ... ...
... ."" [3.4.104-106] Emilia is realistic and unromantic and quite similar to Iago on views of love. Emilia also recognizes before Desdemona that Othello is jealous, and understands its nature: "'Tis a monster/Begot upon itself, born on itself."" [3.4.161-162] Her views and Desdemona's views on marriage are contrasted and switched around through the course of Othello. In the beginning, Desdemona is ... ...
