1. The Editing Styles Of Grifith, Vertov, And Eisenstein
... a camera could do. His style of cinema was dubbed meta cinema, cinema about cinema. As for Eisenstein, he had ties to each Griffith and Vertov. Vertov and he felt that narrative story telling should not tell all. The viewer should be forced to fill in parts of the story, not just be a latent audience. To Eisenstein, art was conflict. In comparison ... their anguish and the brutality of the soldiers. Each of these three filmmakers impacted the world of cinema we know today in their own way. Though they shared ideas and techniques about film, each was able to create new styles that have h...
- Word Count: 856
- Approx Pages: 3
- Grade Level: High School