... must consider that during the late sixteenth century, the word "nothing" would have been pronounced, "noting." In essence, Shakespeare used the pronunciation of "nothing" as a play on the concept of "noting". Shakespeare's was acutely aware of the similarity between the words note, nothing, and nothing. An example of this can be seen in Act II, scene iii: Don Pedro: Do it in notes. Balthasar: Note ... these are very crotchets [whimsies] that he speaks - Note notes, forsooth, and nothing!" (II.iii.48-52). In essence, Shakespeare's elaborate pun upon "nothing" and "noting" thrived upon th...

• Word Count: 940
• Approx Pages: 4
• Has Bibliography

... . One indication that strongly supports the assertion that Much Ado About Nothing is a Comedy is the title. In Comedy's the title of the play is suppose to support a proverb that represents an ongoing theme in the play. In Shakespeare's time the term "nothing" in the title would be read as noting. This makes great sense simply because throughout the play the characters would be taking notes, observing, and listening to each ... other in order to playfully make jokes and be deceitful. A great example of this is when Beatrice falls into a trap and begins to eavesdrop and note the conversat...

• Word Count: 865
• Approx Pages: 3
• Grade Level: High School

... and nothing more. Nevertheless, when his daughters express their beliefs and emotions towards him, causes him to make many bad choices that lead to consequences later on in the play. The king's shallowness creates the path to his failing by giving the throne to the inaccurate children. King Lear doesn't only ignore Kent but also the fool who is trying to make him realize the truth behind his daughters. The fool ... . Later in the play the king acknowledges this too late. Act 5, it is noticeable that he is worried and tense to reinstate his own self. He emphasizes, "This feather stirs; sh...

• Word Count: 1061
• Approx Pages: 4
• Has Bibliography
• Grade Level: High School