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... -up to conceal the decaying matter. In the play one motif was used to cover-up another motif. This added more character to the play and highlights each of the motifs much more. These two motifs are so closely related that they combine to form one much larger theme to the play. ...
... Cain but Adam.[7] Claudius's sin has, for Hamlet at least, turned Denmark into a fallen Eden; thorns and thistles dominate the landscape. The ghost's description of the murder confirms that Edenic motifs are in the background:[8] Now, Hamlet, hear: 'Tis given out that, sleeping in my orchard, A serpent stung me; so the whole ear of Denmark Is by a forged process of my ... ...
... it as a result only one knick would determine the fate of Hamlet: "Revenge should have no bounds. But, good Laertes,/ Will you do this, keep close within your chamber. " (4.7.129-130) Of course, Claudius has a much different plan than that given to Laertes. The real reason to get rid of Hamlet is so he cannot travel around telling everyone the real ... ...
... the first soliloquy in Act 1 scene 2, shows Hamlet wishing he could take his own life "O that this too solid flesh would melt, Thaw and resolve itself into a dew" (lines 129-130) but his Catholic faith and the fear of purgatory prevents him" Or that the Everlasting had not fixed, His canon" gainst self-slaughter. O God, O God" (lines 131-132) Although the ... ...
... long after the insults she asks for his advice: "What's a drunken man like, fool?" (I, 5, 124) then agrees with his answer that a drunken man is like a drowned man, stating "he's drowned" (I, 5, 130-1). Feste uses obscenity in his humour but remains favourable to the countess due to her having an unexplained affection for his brand of humour. By having the person who is ... ...
... the fact that he is unnerved by the sudden re-appearance of the ghost, "But soft, behold. Lo, where it comes again. I'll cross it though it blast me." (1:1:129-130) The language with which Horatio greets the apparition also aids the dramatic build-up of tension. He uses elaborate language, with much imagery, taking many words to say what could ... ...
... the profoundest Pit. I dare Damnation. To this point I stand, That both the Worlds I give to Negligence, Let come what comes, onely I"ll be reveng"d Most throughly for my Father." (IV, V, 130). Hamlet, in contrast, is very private with his grief. His grief for his father, King Hamlet, is very long and drawn out, two months after his father's death, he is ... ...
