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... a result of his indecision and uncertainty. Three of the speculated theories are thus that Hamlet is morally conflicted, doubtful of the ghost's integrity, and flawed by his philosophical nature. One hindrance to Hamlet's ability to correspond to the ghost is his morality. He is unable to justify the act of murder on the basis of his religious beliefs, which undermine much ... ...
... mounting firmly to the chin, My necktie rich and modest, but asserted by a simple pin-- [They will say: "But how his arms and legs are thin!"] This insecurity is definitely a hindrance for him. It holds him back from doing the things he wishes to do. This is the sort of characteristic that makes Alfred into a tragic, doomed character. However, the imagery ... ...
... much part of Hamlet may desire to cause a drastic change in the world, the other part of him desires only to withdraw from this evil world and may provide a constitutional hindrance to the easy accomplishment of his assigned task" (498). This indicates that Hamlet, in many ways, was incredibly righteous. And a righteous individual, if they are truly serious about doing things ... ...
... and ultimately the play, resulting in tragedy. Hamlet employs madness as a tool, but also as a double-edged sword. Hamlet's insanity is a disguise for his true intent for revenge, but also a hindrance. Schlegel affirms that Shakespeare presents a Hamlet who, "has no firm belief in himself or in anything else", and that, "his far-fetched scruples are often mere pretexts to cover his ... ...
... unhappy ending" (Webster pg 278). Like in most of Shakespeare's tragedies, the protagonists have attained a certain level of upper social status. But in his tragic plays, this characteristic has been a hindrance rather than an aid to there success. The following will show how this aspect had lead to both Hamlet and Romeo's ultimate demise. Firstly, Romeo, the main protagonist in Romeo ... ...
