1. Jean Luc Godard
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... of the French New Wave borrowed heavily from the conventions of the American gangster film in works like Breathless by Jean-Luc Goddard. (Pg. 415) Like Truffaut, Raoul Coutard worked as director of photography with prolific and stylistic director Jean-Luc Goddard. Unlike Truffaut, Godard is a "militantly intellectual and ideologically committed filmmaker whose films almost always involve some form of autocritique or ... today. Most, if not all modern filmmakers create films in the style of the French New Wave. Quentin Tarantino with his nonlinear sequencing in Pulp Fiction follows that ...
... wave movement had at one time worked for a film critics magazine called 'Cahiers du Cinema'.These included Claude Chabrol, Eric Rohmer, Francois Truffaut and Jean-Luc Godard, all of whom became trail-blazing film-makers. Jean-Luc Godard for example went on to make Breathless (A Bout de Souffle) in 1959 which even though it seemed to be a tribute to 40's gangstar flicks ... ...
... French New Wave got off the ground just before the sixties, with its first few films releasing in 1958 and 1959 by filmmakers such as Claude Chabrol, Francois Truffaut, Jean-Luc Godard, and Alain Resnais. These filmmakers stood for the evolution of both the social order and the form, power, and influence of film as a medium. The New Wave movement was ... ...
... in the 1920s continues to inspire film-makers today. The emphasis on the form and process of film, rather than the content of linear narratives, informs the work of Jean-Luc Godard and other 1960s film-makers, while Eisenstein's ideas stimulate a range of directors seeking to experiment with the possibilities of film in the 1990s. Without doubt the developments in filmmaking ... ...