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... love for Anna, he might have still held this view, instead of denouncing women as manipulative. This is certainly addressed through the character of Madame Kukshina, whom Sitnikov, a professed nihilist, adores for her independence: "She's a remarkable nature, émancipée in the true sense of the word, an advanced woman." Kukshina is proud of the fact that she has separated from ... ...
... men and dumps them at her whim. When she is called a "whore," it does not faze her if anything it encourages her. Giselle is the 1950's slut that everyone secretly adores but will never grow enough courage to be like her. She is already the feminist of the 1960's. Betty on the other hand has to become the feminist that is ... ...
... of their husbands, serving only specific roles as mothers and wives. Adele Ratignolle embodies everything about femininity and womanhood of the last century. She is devoted to her husband, who adores her, gives birth every two years, and adorns herself with lavish clothing and jewelry. She depends on her family, not herself, and is notable for her beauty. She is everything ... ...
... moment when the pink ribbons no longer symbolize innocence, but instead a costume that has been shed. Faith is no longer this pure, innocent, delicate, soft spoken wife that Goodman Brown adores. The following quotation describes how Faith's one attempt to stand on her own has cost her the love of her husband. Turning the corner by the meeting-house, he spied ... ...
