He left the school to play in the small clubs on the famous 52nd street. He did much of his playing with one of his idols, Charlie Parker. .
In 1945, when Miles was nine-teen he joined Parker's quintet . Together, they recorded some of the first true bebop style songs, for example "Now's the time." It was during this time that Miles Davis established his style as a jazz trumpeter. .
Bebop was a jazz style which developed in New York, at the end of World War II. It's distinctive style is created by the use of dissonant chords and complex rhythms in the improvised solos. Davis, who was always pushing the boundaries of what were the accepted styles in jazz, was at the forefront of this new style, along with such jazz greats as Dizzy Gillespie and Charlie Parker. .
In 1948 Davis formed his own nine-piece band and was again ahead of his time as he moved on from bebop to a new style called "cool" jazz. A group that made eight records. After the release of "the birth of cool" Davis became extremely popular. It seemed like over night that almost everyone wanted to be like Miles, and the imitated him in a variety of ways. The jazz style known as "cool jazz, is perceived as being subdued and understated. It is a very relaxed style of jazz which was in part founded by saxophonist Lester Young. Miles Davis was the most prominent trumpeter in the coming about of cool jazz. His trumpet playing was known for its lack of vibrato. Many other jazz trumpeters drew from his style, and tried to emulate it. .
Now famous, Miles's life took a turn for the worst. In the early 1950's his career almost ended. Some of his attempts at producing a new sound of jazz had brought his several bad reviews. As well as his drug addiction seemed to be killing him. Davis explains, .
I was in a deep fog, high all the time and pimping woman for money to support my habit through the rest of 1951 and the early part of 1952. At one point I had a whole stable of bitches out on the street for me.
Trumpeter Miles Davis was a great artist who was creating a New World for jazz music. ... Miles Davis once said that music was "a curse" for him because he thought of nothing else while he was awake. ... Miles Davis's career was almost 50 years long. ... In 1980 Miles came back into music exploring contemporary music. ... "The Man With Horn" has some pretty tasty music. ...
He joined Miles Davis' first legendary quintet, which included Red Garland, Paul Chambers and Philly Joe Jones. ... New York was the home of not only many jazz musicians including Miles Davis, but also record companies and recording studios. ... With Miles Davis, Coltrane's big tone would help make that group one of the greatest jazz ensembles ever assembled. While with Miles he participated in such classic Davis sessions as Milestones and Kind Of Blue. ... It is impossible to grasp the truth behind John Coltrane through a slue of facts and dates. ...
He joined Miles Davis' first legendary quintet, which included Red Garland, Paul Chambers and Philly Joe Jones. ... New York was the home of not only many jazz musicians including Miles Davis, but also record companies and recording studios. ... With Miles Davis, Coltrane's big tone would help make that group one of the greatest jazz ensembles ever assembled. While with Miles he participated in such classic Davis sessions as Milestones and Kind Of Blue. ... It is impossible to grasp the truth behind John Coltrane through a slue of facts and dates. ...
This time it was Miles Davis. In the mid-fifties, he was invited to play with Miles Davis and his quintet. ... Coltrane's time spent with Miles Davis allowed him to develop his own unique style, but it was still somewhat reserved. ... After Monk's group was disbanded, Coltrane returned to collaborate with Miles Davis, but in 1960, he left to form his own band. ... "A man of spirituality, whose life was dedicated to sharing his vision of music with others, Coltrane was clearly a creative genius.""...
They awaited Jimi Hendrix and his band as they prepared to close the Woodstock Music and Arts Festival. ... Entirely self-taught, Jimi Hendrix's inability to read music made him concentrate even harder on the music he could hear. ... This was only the beginning to his unique musical language that would go on and continue to influence a whole host of musicians from George Clinton, to Miles Davis, and Steve Vai to Johnny Lang. ... This young American black man who played aggressive rock and roll guitar with and sharp edge quickly became the darling of the music and tabloid press...
They awaited Jimi Hendrix and his band as they prepared to close the Woodstock Music and Arts Festival. ... Entirely self-taught, Jimi Hendrix's inability to read music made him concentrate even harder on the music he could hear. ... This was only the beginning to his unique musical language that would go on and continue to influence a whole host of musicians from George Clinton, to Miles Davis, and Steve Vai to Johnny Lang. ... This young American black man who played aggressive rock and roll guitar with and sharp edge quickly became the darling of the music and tabloid press...
While Charlie Parker, John Birks "Dizzy" Gillespie, Thelonious Monk, and Miles Davis were changing the emotion and styling of jazz with jolting rhythmic shifts, eccentric chords, and quick harmonic explorations, a definitive change in American jazz music was taking form. ... However, blues was the first solely secular form of African American based music with the birth of ragtime and jazz following closely behind ". ... Dorsey, often called the Father of Gospel Music, migrated from Atlanta to Chicago as a young man. ... He is the first black man to start a black owned music publishing com...
Ever the innovator, Dizzy was looking for a new style, and a new sound to create and conquer, and the answer strangely enough, was bubbling away behind many of his own compositions. ... "I want somebody to play them Tom-Tom thangs' man."" ... Any history book will tell you that Dizzy Gillespie and Charlie Parker were the true innovators of Be-Bop and that Miles Davis and John Coltrane were the most well know musicians to play in the Cool Style of the 1950's. ... So he said, "You got the man?- "I got the man for you to do the gig."" ...