She was an outcast to society during her lifespan due to the way she lived her life. She exposed her ankles with short dresses, a very risqué move during the conservative 1930's and 1940's. Both authors also stressed that Isadora hated the materialism that plagued many Americans. Any money Isadora acquired was spent on parties, alcohol, or given to the poor. She lived life to its fullest and never thought to save money for later years when she was no longer able to dance. Furthermore, Dos Passos and Flanner state that Isadora danced before many important people. Flanner states that she performed rhythmic movements before such distinguished people as Woodrow Wilson, president of the United States at the time, and kings of various countries. Isadora was very picky about where she would dance but never limited herself to only performing before these notable people. Peasants and commoners, if lucky, were able to catch a glimpse of Isadora during one of her many performances around the world. John Dos Passos and Janet Flanner share many factual statements in their essays while maintaining different opinions of Isadora Duncan. .
Although John Dos Passos and Janet Flanner's essays contain some similarities in content, their views of Isadora are distinctly different. Flanner's view of Isadora can be easily recognized as being supportive and positive by reading her essay. Flanner shows her admiration for Isadora by comparing her to a Greek goddess. She writes with a tone in which the reader can quickly determine Flanner, herself, was inspired by Isadora's life. Flanner also tells the reader that Isadora was a very compassionate person and loved children. Her three children passed away during Isadora's lifetime causing her much grief. Flanner goes on to state that Isadora adopted over 30 children, which Dos Passos did not mention. She also states that Isadora was married to Yessenine, a famous Russian poet.