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John Donne's use of death

 

He points out the weaknesses of death and, with a confident tone, declares his victory over it by means of his lack of respect and fear for its implications. Donne belittles death by commenting on its strong dependence on humanity. He goes on to describe it as a mere transition, which does not serve as an end, but instead, a new awakening to an eternal afterlife.
             The opening lines of Holy Sonnet 10, "Death be not proud, though some have called thee / Mighty and dreadful, for thou art not so" (259) demonstrates his own uncertainty on the death issue, given that the "some" he mentions includes himself at times. However he denies the power of death in the very next line, and proceeds to list several reasons why. The people whom death believes it kills, do not actually die, because death does not have such powers. Death is not all-powerful, since it is part of God's creation. Furthermore, death is not an end to life. Rather, it is a kind of "sleep," a middle stage to overcome before being reunited with God.
             The line, "Nor yet canst thou kill me" (259) serves to reinforce the idea of death as a mere transitory stage between the earthly and the afterlife. This line also presents a change in Donne's theme shifting from death to Donne himself. "Soonest our best men with thee do go" (259) is used by Donne to remind the reader that death is not a punishment that only a few people receive, but an occurrence everyone will and must endure. The fact that even "our best men" will embark on death's journey means that many people fear death as being the final chapter of their lives. The following line explains both the physical and spiritual need for death, since it provides "rest of their bones, and soul's delivery" (259); not only will death renew the body, but also the spirit, readying it for the glorious return of God and the afterlife.
             In the next two lines, "Thou art slave to fate, chance, kings, and desperate men, / And dost with poison, war, and sickness dwell" (259), Donne proposes the idea that death is not mighty, but indeed is a slave, with "Fate, chance, kings, and desperate men" as his masters.


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