Begins with Fireworks (1908), which he extends to his three great ballets: Firebird (1910), Petrushka (1911), and The Rite of Spring (1913) .
            
	Higher use of dissonance, with themes often taken from folk music .
            
	Varied rhythms with extensive use of percussive elements in all instruments .
            
	Tonally, he basically uses diatonic materials including modes and continued use of ostinato .
            
	Expanded virtuosity of orchestral members, utilizing solo instrumental writing (often in extreme ranges) .
            
	Rite of Spring Real Audio for Emory Student Only.
            
o	Introduction.
            
Works.
            
o	Firebird (1910) .
            
o	Petrushka (1911) .
            
o	Rite of Spring (1911-13) .
            
o	Suites Nos. 1 and 2 for Small Orchestra (1915) .
            
1918-1950 Neo-classic Period.
            
	Economical use of material with smaller instrumental forces; often employs satirical wit .
            
	Uses "absolute" classical and baroque form: song forms, sonata forms, fugues, suites, concerto grosso, and canons .
            
	Emphasis on wind instruments with limited use of strings .
            
	Primary concern for clear, concise organization .
            
	Very little chromaticism -- sometimes "pandiatonicism" .
            
	Transparent textures replace lush, instrumental combinations .
            
	Tried to eliminate pictorial and literary "meanings" from music .
            
Works.
            
	L'Historie du Soldat (1918) .
            
	Pulcinella (1919) ballet based on themes of Pergolesi .
            
	Piano-Rag-Music (1919) .
            
	Symphony of Wind Instruments (1920) .
            
	Les Noces (1914-23) Ballet .
            
	Sonata for Piano (1924) .
            
	Concerto of Piano and Winds (1924) .
            
	Serenade in A for Piano (1925) .
            
	Fairy's Kiss (1928) based on themes and style of Tchaikovsky .
            
	Oedpius Rex (1927) opera-oratorio .
            
	Apollon musagete (1928) .
            
	Capriccio for Piano and Orchestra (1929) .
            
	Symphony of Psalms (1930) .
            
	Concerto in D for Violin and Orchestra (1931) .
            
	Perséphone (1934) .
            
	Jeu de cartes (1936) .
            
	Concerto in Eb "Dumbarton Oaks" (1937) .
            
	Symphony in C (1939-40) .
            
	Symphony in Three Movements (1945) .
            
	Mass (1944-48) .
            
	Orpheus (1947) .
            
	Rakes Progress (1950) .