179).
The material that promotes the film in an academic and independent film catalog, BuyIndies.com, describes the process of the ritual by saying: "The shaman plays a vital role in Yanomamo society, for it is he who calls, commands, and often is possessed by spirits, or hekura. "Like myriad glowing butterflies dancing in the sky," the hekura come down invisible trails from the mountain tops when they are summoned. A powerful shaman such as Dedeheiwa, who is known even in distant villages, manipulates not only the spirits of the mountains but also those that live within his own body. The body is a vehicle for the hekura: lured by beautiful body paint, they enter the feet and eventually settle in the chest" (Internet source).
Chagnon and Asch follow the reasons for and the processes involved in the ceremony. The village where they are filming, Mishimishi-mabowei-teri, is the home of the film's primary "character," Dedeheiwa. The village is visited by leaders of another village called Bisaasi-teri. For two decades the villages have been at odds with each other and the visitors want Dedeheiwa and the other villagers to form an alliance, forget past hostilities, and join them in feasting to commemorate the event. The official "promotional" copy of the film prepared by Documentary Educational Resources of Watertown, Massachusetts, reads: "One of the visitors stayed behind when the others had left, and Dedeheiwa asked him: "Brother-in-law, do you have any enemies you want us to kill with our hekura?" The visitor replied that indeed the Mahekdodo-teri had killed his older brother, and he asked Dedeheiwa to send hekura to destroy the souls of this enemy's children. For two days following this request, a shamanic drama is enacted, led by Dedeheiwa. Dedeheiwa and other shamans prepare by taking hallucinogenic drugs which enable them to speak to and become the spirits. Dedeheiwa calls a "hot and meat-hungry.