1. The Influential Anima Archetyp
Her extreme desperation and aggravation is played out in a monologue she delivers during the play:.
When I gave birth I remember so clearlyshe came out and clambered right onto my breast and tried to eat me, she was so hungry, so hungry it terrified me – her hunger. And I thought: is that the first emotion? Hunger? And not hunger for food but wanting to eat other people? Specifically one's mother? And then I thought – isn't it strange, isn't it strange about Jesus? That is to say, about Jesus being a man? For it is women who are eaten – who turn their bodies into food – I gave up my blood – there was so much blood – and I gave up my body – but I couldn't feed her, could not turn my body into food, and she was so hungry. I suppose that makes me an inferior kind of woman and a very inferior kind of Jesus. (Ruhl).
Mrs. Givings goes so far as to question why women are the chosen gender for the torture of giving birth and providing food for the child, perhaps even suggesting that women have to endure worse than what Jesus had to go through. However, most of this monologue most likely stems from her own insecurities – she feels that she is unable to come through as a decent mother and her husband is constantly putting the wall of the operation room between their relationship, leaving her feeling rejected and alone. In this example, Ruhl shows her views towards the typical relationship of a man and a wife, through the frustration in Catherine's eyes. In the confusion of why a woman must continue to be seen as the primary caregiver for a child, we might ask, "but why is it always the woman who has to tend and provide love while the man acts as the breadwinner?" As much as we might like to think that these views have changed, Ruhl further the Woman Question by forcing us to question whether these ideals have truly changed since the roles of the Old Order.
He replied, "I heard the sound of you in the garden, and I was afraid because I was naked, so I hid (Genesis 3:10)." ... Latimer's largest sense of guilt in the novel comes from his own discoveries of the human soul, and in particular his own. ... When Mrs. ... After the last confession of Mrs. ... Eliot, like Latimer through The Lifted Veil, gives us insight into our own soul and the consequences of having our veils lifted. ...
In the first scene in Pygmalion, Professor Higgins is surrounded by all social classes as he observes their speech outside Convent Garden. ... They want to drop Kentish Town; but they give themselves away every time they open their mouths". ... Eliza sells flowers in order to make money but she is not very successful at her occupation, ingratiating herself to passersby at Convent Garden. ... As she later relates the discovery of seeing "a girl pulled out of a dumpster" to Kit, she asks afterwards "Don't you want to get out of here?"... When asked by Mrs. ...
"I believe in its discovery." ... Although in her works she has seemed to be seeking the classical ideal of perfection in pure geometry, she has often asserted, in essays and in interviews, that she does not paint "scientific discoveries or philosophies" but what she has called "the holiday state of mind." ... Mrs. ... The slight changes of spacing between the columns of dashes give the seemingly static, formal composition vitality and movement. ... The artist also experimented with collages constructed of small pieces of colored canvas or wood or, as in The Garden (1958), of various found ob...
On September 23, 1952 Richard Milhous Nixon sat down to address the largest television audience ever amassed by a politician (Gardener 18). ... Nixon described the discovery of these allegations as a "bombshell on [his] train and a nuclear explosion on Eisenhower's" (Nixon 175). ... At the end of the letter, Nixon reads that this girl lives on only $85 a month, but she is willing to give $10 of it to help Nixon. He is hoping that observer sits up and says, "if she has so little and is giving so much to Nixon, he must be a worthy man to put my trust in." ... Nixon's body language...