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The next segment of the 12 part anthology is called "Alive" and has a much darker, yet ironic and comical plot. Tong Guhan is sent to a far away city in China on a business trip, however an earthquake strikes and Tong Guhan is injured. He suffers amnesia, and cannot recall a single thing, leaving his whole family behind. Tong's loss of place, memory and hope are put in to represent the homesickness and pain Ha Jin felt leaving his family to join the army. While the character does eventually make it back home in the end, so does Ha Jin. When he graduated college, he moved back Shangdong, China with his father. Ha Jin's experience away from home and losing the connection and relationships had with his family is humanized into Tong's amnesia. The loss of Tongs family could also be viewed as a reference to China's Cultural Revolution, comparing the change of culture to a loss of uniqueness and heritage. A biography of Ha Jin sates "Jin's plans for returning to China changed in 1989, however, when he saw Chinese protesters confronting army troops in Tiananmen Square in Beijing; the results were brutal " (Mazzeno 1). The loss of culture seen during this time in China fits perfectly with the fictional character Tong losing his family and security. A perfect example to see Ha Jin's personal opinion comes from the story "The Bridegroom" "Six or seven years ago, a half-wit and a high school graduate had started an association in our city, named the China Liberation Party, which eventually recruited nine members." (Jin 95). This line shows explicitly how much Jin disagrees with the Liberation Party, and what they had done to the culture of his home country. Events like this causes a dramatic turn in the makeup of Ha Jin's personality, and later, how he would write.
As the stories throughout "The Bridegroom" progress we are able to notice a common underlying structure spanning across all stories.