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Septimus: Religion, Redemption, and Resurrection


Jesus and Septimus" story divulge further through the similarities in their condemnation. "In response to the cries of the mob, that Pilate condemned Jesus to scourging and crucifixion" (Davis). While Septimus" condemnation was a not a result of an angry mob, still, "He had committed an appalling crime and been condemned to death by human nature" (96). Woolf stretches the religious overtones of Septimus" condemnation with direct references to the Lord: .
             "So they returned to the most exalted of mankind; the criminal who faced his judges; the victim exposed on the heights; the fugitive; the drowned sailor; the poet of the immortal ode; the Lord who had gone from life to death; to Septimus Warren Smith" (97).
             Jesus and Septimus" condemnation both develop from an unjust judgment made by human nature. And, while Septimus" condemnation is metaphorical, Woolf's choice of the word "condemnation" establishes an unavoidable link between Septimus and Jesus" doom. The actual crucifixion of Jesus can easily be compared to images surrounding Septimus" death. Upon mounting the cross, Jesus was immediately subjected to whipping. "The heavy whip is brought down with full force again and again across Jesus" shoulders, back, and legs" (Davis). The story of Jesus" lashings resonates Woolf's earlier observation of Septimus in the park: "The world has raised its whip; where will it descend" (14). It descends upon Septimus, it descends upon Jesus, and thus a parallel is created between the two men. Furthermore, the gruesome retelling of Septimus" bloody demise amid Clarissa's party echoes images of the stigmata: "Up had flashed the ground; through him, blundering, bruising, went the rusty spikes" (184). Also reminiscent of Jesus on the cross is Septimus" episode after seeing the dog: "The flesh was melted off the world. His body was macerated until only the nerve fibres were left. It was spread like a veil upon a rock" (68).


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