Mississippi Burning is a thought provoking and deeply moving piece of work that becomes an ideological statement. In this essay, I will analyze the film Mississippi Burning as a representation of intercultural communication. I argue that the film provides essential lessons about dominant group's influences over a culture's valve and belief. More importantly, the film explicitly demonstrates the ripple effects that can come about when one culture tries to engage in communication with another culture without having any understand of the other. This film is important to study, not because it bring to light the ugliness of racism, but goes to the heart of the need for each of us to understand not only our own culture, but the culture of others in an objective point of view in order to overcome intolerance. .
I will start the essay with a summarized review of the film and then I provide detail account of two important scenes. I will interpret these two essential scenes in relation to problems associated with intercultural communication. (Need to add more here).
In 1964, one of the most violent years in U.S. history, in the state of Mississippi, three civil rights activists, two white men and one black man, on the road out of the town of Jessup suddenly disappear with a trace. Two FBI agents are sent in to the racially torn community to investigate the case: Alan Ward, in charge of the investigation is a young, clean-cut, by-the-book guy who has earned his high rank as a member of Robert Kennedy's Justice Department and Rupert Anderson a former sheriff of a small Mississippi town. When they arrive, they are received with hostility from the white locals and with fear from the black locals, who are forced to live segregated in the other side of town. As the investigation goes on, the two agents clash on what technique is best used in this situation while the violence in the town escalates even further in the presence of twenty plus FBI agents.
Mississippi Burning Essay In the movie "Mississippi Burning" many aspects of our civil rights unit were key points in teh movie. ... In conclussion, "Mississippi Burning" was a good example of how our civil rights unit ties in with what really happened in 1964. ...
"Mississippi Burning": Fact versus Fiction In the movie "Mississippi Burning" we see a dramatized version of a non-fiction event that occurred in Mississippi in 1964. ... The three young men were in Mississippi as volunteers to help and register African Americans to vote. ... There was little played out in the movie "Mississippi Burning" about the activists, but through out you hear a little more about them. ... After reading information about the Mississippi Burning trail that took place after the bodies were found and people were arrested, the real heroes, besides the activists, were the...
Mississippi Burning As one can imagine, the south was rampant with racial unrest in 1964. ... Mississippi Burning begins with the disappearance of three civil rights activists in Mississippi. ... Mississippi Burning is a movie that educates and attempts to persuade. ... These are questions that Mississippi Burning attempts to answer. ... There are many lessons that Mississippi Burning attempts to teach the public. ...
In the film, Mississippi Burning, the director, Alan Parker uses filmic codes to represent different values and attitudes towards racism in the 1960's in Mississippi. ... In Scene one of Mississippi Burning the director uses different types of filmic codes to show the Ku Klux Klan Members sneaking into Arron's Farm. ... In Scene 2 of Mississippi Burning the director uses different codes such as technical, audio and symbolic to show racism. ... These Filmic Codes show that there was racism in the 1960's in Mississippi. ... All of these Filmic Codes show that there was major...
Colonel Sartoris Snopes, who is called "Sarty" by his family, is a major character in William Faulkner's "Barn Burning." This young boy of about ten finds himself in the position of being expected to lie to protect his father from punishment for burning the neighbor's barn. ... In "Barn Burning" Faulkner writes about the relationship between a father and his son in both the hereditary and the spiritual sense. ... This did not affect Sarty because he decided to sever the old Mississippi restrictions and fallow new paths. ... Sarty's struggle is with his own heart, the hearts ...
The state of Mississippi wouldn't agree to free the black people. So the war broke out and members from the Ku Klux Klan started killing black people and burning black people houses down. ... On the 13th of June 1963 Mississippi's most well known black leader was assassinated outside his home in front of his wife and 2 children Medger Evans, the most famous and trusted black person in the whole state of Mississippi at the time had been shot in the head by a Ku Klux Klan member. During June 1964 Bob Moses and the council of federated organizations announce the Mississippi summer p...
"Barn Burning" William Faulkner (1897 "1962) was an American novelist who was born in New Albany, Mississippi. ... The story "Barn burning- by William Faulkner, at a glance appears to concentrate mainly on the character of the young boy Colonel Sartoris Snopes (Sarty) and his inner conflict. ...
Life in the 1950's and 60's Coming of Age in Mississippi, is basically Anne Moody's autobiography from the beginning of her life, into a family of poor black share-croppers through High School, College, and finally her very active involvement in the Civil Rights movement in the 50's and 60's.This powerful and very informative autobiography from Anne Moody vividly documents the discrimination many African Americans had to face in the South in the 1950s. ... Her passionate fight against racism encounters many obstacles, such as finding her name on a KKK "wanted" list,...
The earliest men's blues recordings, even including those of pre-blues-music artists like the Mississippi Sheiks, did not begin until 1924, and the floodgates only really opened in 1927. ... Other Mississippian bluesmen such as Skip James, Mississippi John Hurt and Tommy Johnson also developed their own gripping, individual styles. ... Like Blind Willie, he too was on the road frequently, and like Robert Johnson, he soaked up elements of a number of styles (including Mississippi Blues), making them part of a powerful, personal style. ... He also came from Mississippi, but by way of Arkans...
