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The Groundhog


            
            
             In "The Groundhog," Richard Eberhart uses eloquent diction to reflect the changing perceptions and emotions the speaker has towards the decaying groundhog. Also, his use of vivid imagery allows the reader a greater sense of the actual metamorphosis of the dead groundhog. We follow the speakers many shifts in sentiment as the poem continues.
             The speaker has stumbled across a groundhog "lying dead" in the ground. He claims his "senses shook" and his frailty shown through. It is now that this metamorphosis began. His initial emotion is that of great sorrow and anguish over the ferociousness that nature has done on the groundhog. The speaker says it "made my senses waver dim," to show how upset this loss of life has made him. He uses words like "maggots might" and "seething cauldron" to express the grotesqueness of the scene. And again, he states his minds turmoil, "half loathing, half with strange love." This is a potent theme in this poem: the authors tumult over the sight of the groundhog. Why in a scene of blood is he both saddened and joyous. He conveys this anguish with his strong diction, "Trying to control, to be still, to quell the the passion of the blood," and "praying for joy in the sight of decay.".
             On line 29, the speaker shifts to an emotionless state. This is far contradictory to the previous lines where he was greatly afflicted by the sight of the dead groundhog. This shift happens as the season changes from summer to autumn. The speaker expresses his detachment from the groundhog with statements of "lost it's meaning," and " lost both love and loathing." He uses images of "bony sodden hulk," and "sap gone out" to express the change in the groundhogs decrepit appearance. This is the midst of his metamorphosis.
             Again we have a shift on line 33. In the following lines the speaker has returned to his grief - stricken state. This shift also happens when the season turns again to summer.


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