In the play A Raisin in the Sun by Lorraine Hansberry, the "long line"(pg134) that represents life in Asagiai's mind, encompasses the idealist dreams of working toward a society rich in equality. The quintessence of this play can be viewed as a representation of the eternal struggle toward equality. Although Mama denies it, her purchase of the house in Clybourne Park takes the African-American race one march closer to divine racial consanguinity. Furthermore, Benetha's stubborn attitude about becoming a doctor can further abolish some views of African Americans, and also add a wave to the seemingly endless ocean that is woman's rights. Next, Asagai, when he is old, would rather have his "then useless throat"(pg136) slit by a black man, because he believes it shows progress. When all races are equal, and like brothers, Asagai believes there will be no racial groupings, and there will be no British Soldiers, there will be just his brothers and sisters. This equality between races and the lost, "automatic affiliation" between fellow African Americans, shows that all ethnicities are finally at peace. Ultimately, the "Cosmic March" toward equality is the statement that describes the true path toward the utopian ideal of complete harmony among races. A utopia cannot be achieved only through lush forest and sparkling water falls, but must be earned through the deep down determination that allows you to love every man. The pride and respect love can come in many different fashions, but Asagai believes it will come from knowing and understanding each other's culture and heritage. At length the play A Raisin in the Sun encompasses the need for progress as an ultimate step toward a racial utopia.
Hansburry's first play to make it to Broadway was named after a line in a Langston Hughes poem- "A Raison in the Sun". ... "The night that "A Raison in the Sun" premiered on Broadway the history books were rewritten, and a lot of stereotypes about blacks were dimmed, if not all together erased." ...
After further development of the implosion design and fears that "Jumbo" would dramatically distort all "their complicated instrumentation-the raison d'etre for the test,"(Szasz 36) the world's largest pressure tank was not used. ... People who saw it said it looked like the sun had risen for a few minutes and then went back down. ... The Day The Sun Rose Twice. ...
ACT I, Scene 1: Friday morning Summary The first scene of the play is in a cramped apartment in South Chicago, where the Younger family lives. It is early morning, and the house is slowly waking up. The first family members to be seen are Walter Younger, and his wife, Ruth, who appears to be weary and unwell; as soon as they are up, they begin to argue about his preoccupation with plans for a new business venture. They are interrupted by their young son, Travis, who asks for some money to take to school. After Walter goes into the living room, Beneatha, his sister, enters. ...
After further development of the implosion design and fears that "Jumbo" would dramatically distort all "their complicated instrumentation-the raison d' tre for the test,"(Szasz 36) the world's largest pressure tank was not used. ... People who saw it said it looked like the sun had risen for a few minutes and then went back down. ...
After further development of the implosion design and fears that "Jumbo" would dramatically distort all "their complicated instrumentation-the raison d' tre for the test,"(Szasz 36) the world's largest pressure tank was not used. ... People who saw it said it looked like the sun had risen for a few minutes and then went back down. ...
