In associating Gothic with the Romantic Movement, the gothic tradition was formed towards the end of the period, through " the associated ideas which the imagination was stimulated to conjure up" and a strong interest in nature's wonder and mystery.
The setting of Frankenstein is a strong part of what makes the novel Gothic. In Frankenstein, the multitude of dark setting arouses continual atmosphere of mystery and suspense throughout the novel, as well as serving as a metonymy of gloom and horror. The lab, charnel houses, churchyards and vaults in which Victor dedicated his time in creating the creature and the island in the Orkneys contributes to the gloom factor in which the novel is set, while the bleak, glacial fields of the Alps and the mist of the Artic serve to indicate the isolation of both the protagonist and the antagonist. Nature and weather plays an important role in foreshadowing dark evil acts, events and confrontation to come in the novel. In foreshadowing the birth of the creature, the weather was described as being "a dreary night" with "the rain pattered dismally against the panes". The bleak weather therefore, serves as an indication of the hideous result to come of Victor's creation. It is important to note that the setting in the novel is very much concerned with nature and how it reflects the characters. This aspect links the Gothicism of the novel to the Romantic period, a period closely related with nature.
The setting in Frankenstein serves not only to arouse mystery, but it also causes the characters to realise the consequences of their pursuit. The icy climate tested both Victor's mental and physical toughness and it ultimately became the main factor contributing to his death. On realising that he must "commence a destructive and almost endless journey across mountainous ices of the ocean- Victor feared for the worst and "gave way to the emotions" that suppressed him, he "wept aloud".