The poem begins in describing a woman, his mistress to be exact. And he seems to have a disdainful outlook of the woman's beauty. On the other hand he may just be making fun of the infinite number of love poems being produced in the Shakespearian era. Many of which describes a woman with the beauty of a goddess (i.e. My mistress? eyes are like the sun and her lips as red as coral). He describes his mistress as one with eyes not like the sun, but perhaps still beautiful in their human form. Her lips not as bright red as coral is, but still some life pulses through them. Her breasts are compared to the snow not only because of their lack of sunlight, but because of the many poets who's mistresses and ladies have breasts as perfect as a goddess's. He describes her hair as being black and wiry as opposed to that of the flowing golden locks of the goddess. He writes that he has seen many roses in a variety of colors, but her cheeks contain no roses. This statement is a remark to the poets whose mistresses have cheeks like roses. Her breath is definitely not made out toreek? in our sense of the word, but only to project a normal scent that any normal person might have in those days. Which was definitely not a sweet perfume for the lack of Colgate Tarter Control. .
He writes in 9,I love to hear her speak, yet I well know that music hath a far more pleasing sound.? He is not saying that she has a wretched voice, but that is does not hold the musical chime of a goddess tone. I grant I never saw a goddess go,? clearly states his affirmation of disgust toward other writers and their ridiculous poems of beauty and delight. His mistress cannot float as a goddess can, but walks on the ground as any normal human being does. He finishes by saying that he loves her for her own beauty and not that of some made up fantasy.
Literary Terms.
In this sonnet Shakespeare uses imagery to give the reader an excellent view of his mistress.
Sonnet 130 is one of the most straightforward poems out of all the 154 sonnets. Sonnet 130 is one of the Shakespearian sonnets. Shakespeare's sonnets were published in 1609 but some of them were written a bit earlier. ... In the first two lines in sonnet 130 Shakespeare talks about a woman. ... In the last two lines of sonnet 130 Shakespeare concludes his sonnet. ...
He wrote Sonnet 130, which has been recognized as "Anti-Petrarchian" on numerous occasions. In Sonnet 130, Shakespeare uses displeasing description of his mistress in order to contradict the Renaissance's concept of the ideal woman, which is commonly used in Petrarchian sonnets, and testifies that physical attraction does not necessarily have to be present in order for there to be love. In fact, Shakespeare creates a satirical or even mocking tone against the traditional love sonnet. ... Despite the obvious satirical tone, Shakespeare proclaims his undying love for his mistress, embracing...
However in sonnet 130, Shakespeare uses a totally new technique in describing love. ... This purpose of this attempts to define love, is more so, and introduction for sonnet 130. ... In sonnet 130, Shakespeare uses a different approach to love. ... In sonnet 130, Shakespeare tries to tell the reader that one can love someone else not based on looks. ... Both sonnet 116 and 130 talk about love, but both have different perspectives on it. ...
Sonnet 130 is the exact opposite and rather than putting his mistress up on a pedestal, Shakespeare lowers her to human standards. ... "And in some perfume is there more delight Than in the breath that from my mistress reeks (Shakespeare 130, vii-viii)." "Sonnet 130 mocks the typical Petrarchan metaphors by presenting a speaker who seems to take them at face value, and somewhat bemusedly, decides to tell the truth" (Spark Notes, Shakespeare 130). "The rhetorical structure of Sonnet 130 is important to its effect. ... In Shakespeare's sonnet 130, the poet rejects the false description...
The speaker Shakespeare uses in sonnet 130 is "I." ... Sonnet 130 also contains a couplet. ... In the first line of sonnet 130, Shakespeare does not use a comma to imply a caesura. ... Shakespeare also uses a mix of run-on-lines and end-stopped lines throughout sonnet 130. ... I have always loved sonnet 130. ...
The majority of the 152 Sonnets Shakespeare wrote focus on love. ... Sonnet 18 is a poem of admiration and glorification of Shakespeare's lover. Sonnet 97 is a poem about being separated from his lover and Sonnet 130 is a poem for the "Dark Lady" which is descriptive but is not nearly as flattering or focused on outer beauty as Sonnet 18. ... In Sonnet 97, Shakespeare also uses one of the four seasons as a metaphor. ... Sonnet 130 was written for Shakespeare's "Dark Lady". ...
He wrote Sonnet 130, which has been recognized as "Anti-Petrarchian" on numerous occasions. In Sonnet 130, Shakespeare uses displeasing description of his mistress in order to contradict the Renaissance's concept of the ideal woman, which is commonly used in Petrarchian sonnets, and testifies that physical attraction does not necessarily have to be present in order for there to be love. In fact, Shakespeare creates a satirical or even mocking tone against the traditional love sonnet. ... Despite the obvious satirical tone, Shakespeare proclaims his undying love for his mistress, embracing...
Analysis of Sonnet 130 Shakespeare's Sonnets, a collection of one hundred and fifty four poems, are widely considered to be some of the most insightful and powerful poems of all time. Shakespeare, who was one of the first developers of the English sonnet, used the highly rigid form and structure of the poem to create meaning and emphasize the arguments he wanted to make. ... Shakespeare's sonnet represents the English sonnet. ... Shakespeare uses a lot of objects compared to the beauty of the mistress. ... Sonnet 130 is an excellent example of the use of poetic structure, lan...
Relationships Sonnet 130 focuses on the relationship between a man and his mistress; Pied Beauty focuses on the relationship between man and nature. ... In Sonnet 130, Shakespeare states that "My mistress' eyes are nothing like the sun; "and in Pied Beauty, the speaker praises God for "dappled things,"" two comments typically held contrary to the belief of beauty. ... Similar to other poets of Shakespeare's time, Sonnet 130, he used a combination of metaphors and similes to portray the eternal beauty of his mistress. ... Sonnet 130 became a satire on Petrarch's poetry and his ...
