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Seamus Heaney


"In cold sweat" (Line 13) describes how nervous and scared he was, at this point in the poem it does not look as if he will face the rat at all. "Knobbed skull" (Line 23) describes the texture of the rats skull (bony), again this is not a flattering word. "Tapered tail" (Line 25) is Heaney's final use of texture to describe how the tail was not flat. Heaney uses a lot of texture in "An Advancement of Learning" (much more than in "Churning Day" or "Mid-Term Break") to describe the rat in great detail. "Mid-Term Break" is much too emotional a poem for sensual use. And "Churning Day has quite a bit of texture in it because Heaney wants the reader to realise how the experience felt (which is not easy to do).
             Heaney uses a bit of the sense of smell in "Churning Day" but not in the other poems because there is no need for it. "The house would stink acrid as a sulphur mine" (Line 27) describes the aftermath of "Churning Day", how it would stink. Heaney's other use of the sense of smell is "sour-breathed milk" (Line 33) as one of his main memories of "Churning Day" when the day had finished.
             Heaney uses the sense of sight in all three poems quite a lot to create an image in our minds of how these things looked. In "Churning Day", "Their white insides" (Line 11), "gold flecks" (Line 18) and "a yellow curd" (Line 23) are where Heaney uses colour to describe how these things looked. These phrases really do bring the poem to life. My favourite is "gold flecks" as it seems to emanate the satisfaction of all their hard work bringing a wholesome result. "Gold" seems to suggest that it is a very elaborate finish to all their hard work throughout the day. Heaney uses the colours to describe how things looked in "Churning Day". In "An Advancement of Learning", Heaney talks about the river being "oil-skinned, wearing a transfer of gables" (Line 4) to describe how polluted it is, yet there is still a grimy reflection in the river.


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