By studying how films were made and received, I discover the range of options available to filmmakers and film viewers by studying the social and cultural influences on films, I come to understand better the ways in which films may bear the traces of the issues in thee history of politics, of culture, and of the arts.
Researchers are fond of saying that there is no film history, only film histories. But I think that film history is more aptly thought of as a set of film histories because research into film history involves asking a series of questions and searching for evidence in order to answer them in the course of an argument. .
I have decided to concentrate my attention on the development of cinematography and its role in our life.
So the main aim of my research is to find the answer to the questions: How had cinematography appeared? What for? What was the way of its development? How have the conditions of the film industry - production, distribution, and exhibition - affected people? And how did the time influenced the modification/alteration of the film industry?.
To answer this questions I will divide film history into five large periods - early cinema (to about 1918), the late silent era (1919 - 1929), the development of sound cinema (1926 - 1945), the period after World War 2 (1946 - 1960s), and the contemporary era (1960s to the present). These divisions reflect developments in film form and style; major changes in film production, distribution, and exhibition; and significant international trends.
And now I will try to do my best to give all the possible facts about cinematography, because, as we know, facts are interesting and important only as part of research programs. Then they help us ask and answer questions. .
.
Cinema is a very important part of the life of the society. Thousands of different people are involved in this field, this is a very large magic world where its heroes, called actors, live.
