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The Birthmark


            
             "The Birthmark" is a love story, concerned with the relation between men and women. Aylmer, the husband character, reveals a deep suspicion of mind and body theories current for the time. Aylmer the story's problematic "hero" is a scientist, artist, and a newlywed. Aylmer, an aesthetic scientist, directs his attention to processes and compounds that does not relate to an immediate spiritual end. Georgiana is able to inspire Aylmer to acquire the knowledge that he needs the embodiment of his vision. Soon after marriage, Aylmer confesses Georgiana's birthmark is either a charm or defect. Not only is Aylmer's obsession self-centered, it is also self-generating. Usually Georgiana's birthmark is only slightly redder than her own rosy complexion, but upon being startled, she pales and the tiny mark is highlighted against her whitened cheek.
             Once Aylmer decides that the mark is a defect, Georgiana agrees the mark should be removed to "simply secure her sanity and Aylmer's peace" (452). In fact, Aylmer renders the birthmark as "a symbol of his wife's liability to sin, sorrow, decay, and death" (453). Georgiana not only believes her husband is correct in everything, she wants to aspire to become even one of his failures.
             "The Birthmark" proposes that human nature is compound, a sacred mystery. The only way to effect a celebration of the body is not through distillation, but through unification, sympathy, and love. Hawthorne suggests in the story that human nature is its own proof of divinity and human love is its highest expression.
            


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