Third, and logically following, Meursault lives entirely in the present. .
The past is past and dwelling upon it in any mood is simply a waste of the present. As to the future, the ultimate future is death; to sacrifice the present to the future is equivalent to sacrificing life to death. Finally and obviously, since the present is his sole milieu, Meursault takes note of each moment of life; since there is no outside value system, no complex future plan, to measure against, and as a result of his passion for truth and consequently justice, he grants every moment equal importance. One moment may be more pleasurable than another, one boring, one mundane, each receives "equal time" in his narration of his life. Meursault has one failing trait, a direct and logical result of his unconsciousness of his own view of life and philosophy of living, indifference. Perhaps because his way of life and thinking seem so natural to him, he has never considered their roots, has never confronted the absurdity of death, with the consequent recognition of the value of his life. .
Out of indifference he fails to question and thereby errs out of indifference he links forces with violence and death, rather than with love and life. As a result of indifference, he kills a man. Meursault kills a man and is brought to trial. But in truth he is not tried for murder, nor for his error, he is tried for his virtue. Here Camus shows how many men fear the absurd, refuse - not to accept it - to confront it at all. Instead they make compromises with it, grant it importance and supernatural meaning, and live for it. The result is lives built on sham, hypocrisy, paper scaffolding. The natural man, the man of truth and reality, can only threaten their authority, the very fragile web of their lives, that is, his very existence may force them to see through themselves. It is for this that they condemn Meursault to death. Faced with the guillotine, Meursault is forced to confront death, his own death.
A Stranger to Morality Meursault, the novel's hero, a "stranger" to the system of Christian morality insofar as he cannot comprehend it, is certainly not an "outsider", neither consciously choosing to remain "outside" society nor being rejected by it. ... In the final paragraph of The Stranger, Camus does not "sum up" his hero's fate, but leads him into a breathtaking vision of new life in the face of death. ...
The Tall Stranger The Tall Stranger was written by Louis L"Amour. The Tall Stranger was written in 1957. ... The Tall Stranger is a story about a stubborn man named Rock Bannon who saved eastern breed settlers from Indian attacks and Mort Harper, a fast talking crook. ... The Tall Stranger was a very enjoyable book. ...
The Stranger The novel, "The Stranger", written by Albert Camus is about one man's life. The main character and the author, Meursalt, gives every detail and thought throughout the novel. He portrays himself as a person who doesn't seem to care about much, yet he is a hero. Meursalt shows his her...
The stranger faces the group on a regular basis without becoming integrated within it. He further describes the stranger as an integral part of the economic sphere. ... This mobility and lack of formalized ties to the group allow the stranger to be objective. ... He is not perceived as an individual, but a "stranger of a certain type." ... Simmel struggled with a precise definition of the stranger because at best it is the combination of the stranger's remoteness and nearness with respect to the group he approaches. ...
Despite the somewhat absurd nature of The Metamorphosis, and the realistic nature of The Stranger, similar values are communicated to the reader. ... Meursault (the narrator) in The Stranger only sees and only wants to see the absolute truth in society. ... This is the main turning point as far as existentialism is concerned in The Stranger. ... The Stranger's Meursault is existentialist, finding a need for a meaning to life only when his is about to be taken. ... The Stranger, on the other hand, follows an idea that quietly not conforming will only hurt oneself. ...
In The Stranger, by Albert Camus, Meursault undergoes a mental transformation from Part 1 to Part 2. ... Throughout The Stranger, Meursault transforms and begins to develop meaningful memories about the meaning of his life. ... Meursault is much more interested in trivial details about strangers. ... In The Stranger, by Albert Camus, Meursault undergoes a mental transformation from Part 1 to Part 2. ...
In Albert Camus" The Stranger, his actions and reactions display him as an immoral man, expressing apathy towards society's formulas for convention. ... Confronted with the court's legal mechanics, Meursault is a stranger to the judicial world, thus disabling him. Meursault is also a stranger to social custom. ...
In the book Integrity by Stephen L. Carter, Carter defines Integrity as requiring three steps: 1) discerning what is right and wrong; 2) acting on what you have discerned, even at personal cost; 3) saying openly that you are acting on your understanding of right and wrong. I think that according to...
In his song "The Stranger", Billy Joel uses his lyrical genius to make a universal connection with his "stranger", and by doing this makes a connection with Mersault from Camus" The Stranger. ... [16-18].) is often rejection ("It was then I felt the stranger kick me right between the eyes" [34-35].) ... A similar parallel can be made to Mersault from The Stranger. ... The Arab is the first person in the novel to reveal the "stranger" within themselves to Mersault. This leads to Mersault exposing his "stranger" by murdering the Arab. ...
