Guitar Heroes
Perhaps the most influential experience in everybody’s life occurs everytime they listen to music that makes them cry, laugh, or drive a little faster down the freeway. Music, which magnifies certain emotions to express what someone feels during particular events, has been around since the beginning of time. The instruments have varied from empty whisky jugs to modern-day computers, but a main purpose of the music has remained the same: entertainment. One of these instruments, the guitar, has been around in one form or another since at least the 700s AD, but did not gain respect or huge popularity until the 1900s. Particularly within the last 50 years with the birth of rock ‘n roll, guitar music has been elevated to a pedestal almost as high as our political leaders, if not higher; the youth of today would much rather prefer to hear political propoganda from poly-activist band System of a Down than some old dude in a suit. Through their trusted instrument, guitar players have become guitar heroes by subtly, quietly, loudly, and fervently fighting to shape this world and the numerous cultures that inhabit it. Music has always had political overtones, starting way back when songs were written in honor of k
individuation. To follow the hero is to lose ourselves in order to find ourselves, to Another connection that makes both Bob Dylan and System of a Down guitar/music heroes are the lyrics they spout. Revolutionaries in their own ways, these men fight/fought the system with lyrics criticizing the politics of the world. Serj Tankian, singer for System of a Down, prefers singing “abstract, existential poetry peppered with politics and personal religion.” (SOAD). Politics has been in heavy metal music for a long while, however. Perhaps the angriest and most angst-ridden politic debating guitar hero (anti-hero?) ever was Dave Mustaine, co-founding member of Metallica, and later the founding member of Megadeth. ings and other rulers. It did not become a serious messenger of politics until the 19th century with the emergence of nationalist music. Nationalist music provided a voice for different cultures, a trend that would echo through the next century at a smaller scale: the voice
Some topics in this essay:
Robert Fripp,
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Joe Satriani,
Bob Dylan,
Reaper Cimmerian,
Furthermore Leeming,
Dylan System,
Robin Hood,
Metallica’s Bassist,
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Approximate Word count = 3790
Approximate Pages = 15 (250 words per page double spaced)
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