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Memory in toni morrison

John Kotre’s How Memory Speaks describes memory as: “A scene we experience for a moment-and only once-remains clear in our minds for a lifetime, yet we forget the looks of things we see and touch almost every day.” There is a scene that exists for every memory in the mind. Also existing with each are parallel meanings of these settings when they are thought of literally and also collectively with the thoughts of memories. In Toni Morrison’s The Bluest Eye, the chapters are separated by the evolutions of seasons. These conjugate the moods that are brought about within the text of the characters, but a certain irony as well. John Kotre speaks of the remembrance of people’s lives and what they remember best. His argument is that we remember things most important, most influential, and what is loved most. The readings of William Carlos’ The Widow’s Lament in Springtime and A. E. Housman’s To an Athlete Dying Young show the different strong holds memories posses and a greater remembrance through diction, tone, and mood exemplified by the author through characters. Authors often attempt to write through their characters what they remember most and is evident in the characters Pecola, the Widow, and the narrator o


Memories are also seen as the foundation of A. E. Housman’s To an Athlete Dying Young. Through the allusion of the line: “Shoulder-high we bring you home.”, This poem holds, as its main theme, the premature death of a young athlete as told from the memories of a fond friend serving at his funeral. “The time you won your town the race/ we chaired you through the market- place/ Man and boy stood cheering by/ and home we brought you shoulder high/.” The first stanza demonstrates the narrator’s most impacting memories of the deceased athlete. These lines of the poem, being of an optimistic nature, denote the athlete’s positive impact on the narrator’s ideals and memories he has. “Smart lad, to slip betimes away/ From fields where glory does not stay…./ Of lads that wore their honours out…./And the name died before the man”, reveals the concept that those dying at the peak of their glory or youth are really quite lucky. Despite the normal memories and feelings of pain, hurt, and darkness that shadow death, the narrator’s views remain optimistic and happy due to the loving memories he possesses for the Athlete.

Toni Morrison’s The Blues Eye is composed of sections that are labeled by the seasons: autumn, winter, spring, and summer. The seasons serve as markers of time and evoke irony on the displacements of memory throughout each. Morrison also uses the seasons to order her novel, but through the use of diction and irony narrator’s memories brings horror rather than beauty. Spring usually alludes to a time of renewal and rebirth noted by holidays such as Easter. Spring, however brings the awful thoughts of Claudia being whipped by new switches, and the unforgettable memories of Pecola’s horrid rape. Pecola's baby dies in autumn, the season of harvesting. Summer, being the last chapter in the book, should bring a feeling of relaxation and new life but hatred and self destruction through the “new” eyes of Pecola begs to differ. In either case the characters seem to shape in some sense by memory’s operation. Does memory provide a means to integrate ourselves into a future of our own devising or does it chain us to an unchangeable past? Morrison’s use of the natural cycle of seasons answers that by underlining the unnaturalness and misery of her characters’ experiences and memories.

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Some topics in this essay:
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Approximate Word count = 1615
Approximate Pages = 6 (250 words per page double spaced)


  

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