Claude Monet as a Modern Artist
Claude Oscar Monet was born in Paris on November 14, 1840. The son of a successful tradesman, Monet grew up in the town of Le Havre located on the Normandy coast. He showed artistic talent as a teenager, drawing caricatures of local personalities, and by the age of fifteen he was receiving commission for his work. Monet’s formal training began in 1859 at the Academie Suisse, a studio that provided models for aspiring artists to draw and paint, but gave little direct instruction. After serving in the French military in Algeria, Monet joined a Parisian studio run by Charles Gabriel Gleyre in 1862. Like the Academie Suisse, Gleyre’s studio encouraged students to draw from models. In this setting, Monet met several artists who would become friends and fellow Impressionists. Among these were Renoir, Sisley, and Bazille. In 1865 Monet had his first works accepted by the Salon, where they received praise from critics and were purchased by influential buyers. Despite this, Monet still struggled with rejection from the public and the conservative Salon (“Monet,” Encarta). In 1870 Monet married Camille Doncieux, the mother of his illegitimate son. To escape the Franco-Prussian War the couple wen
Monet’s paintings also broke the traditional rules of composition. Rather than attempting to produce carefully constructed, permanent records of events or scenes, his objective was to capture the moment, a sensation produced by chance. He sought to produce the effects of weather, light, and movement, which often made his subjects appear fragmented with limited depth. This went against the traditional representation of space where the eye is led naturally from the foreground to the distance.
Some topics in this essay:
Impressionism Impressionist,
Seitz Paintings,
Challenges Throughout,
Le Havre,
Salon Gerstein,
Salon Classical,
Monet’s Monet,
Impression Sunrise,
Alice Hoschede,
Encarta Camille,
“monet” encarta,
vibrant contrasting colors,
monet married,
subjects techniques,
le havre,
vibrant contrasting,
contrasting colors,
monet devoted,
monet painted,
exhibition mocked critics,
mocked critics,
exhibition mocked,
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Approximate Word count = 1342
Approximate Pages = 5 (250 words per page double spaced)
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