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Tess of the D'Urbervilles


            In his novel Tess of the D'Urbervilles, Thomas Hardy explores a multitude of concepts. Yet, each distinct phase of his worked is marked by the presentation of several ideas. Of all these portions of the novel, none are as expressive as the series of events surrounding the confession scene in chapters 34 to 44. Here, through use of his unique style, Hardy explores the idea of the status and place of women in society and elaborates on the characters of Tess and Angel by dissecting their relationship. By investigating these aspects of this portion of the novel, it will become apparent that the confession scene is one of the most pivotal in the book and has perhaps the greatest impact on the rest of the story. .
             One of the most important aspects of Tess of the D'Urbervilles is the style in which Hardy created the work. Perhaps the most noticeable aspect of Hardy's style is his use of irony. In the novel, Hardy's already intricate plot is enhanced by irony which serves to create suspense and continually keep the reader engaged in the story. One example of this is the dramatic change seen in Alec D'Urberville. Here the unscrupulous hedonist becomes a fundamentalist preacher and then quickly relapses into his former ways. This is ironic because Alec tells Tess that he wants to save her from her sins, when he is the one truly responsible for her damnation. Another example of irony is when Tess proclaims to Alec that " I will always be your victim,- yet in the end she murders him with a knife. These abrupt and unforeseen changes, like the other many examples in the novel, provide the work with several narrative engines that continually change the direction of the plot. Furthermore, Hardy's use of irony creates a certain dynamic in the work, which electrifies the story and entertains the reader. .
             Another aspect of Hardy's style that enhances Tess of the D'Urbervilles is foreshadowing.


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