1. Italian Neorealism and the Free Cinema Movement
... movements create an ambiguity between Guido, the director in the film, and Fellini, and the director "of " the film, thus taking self-reference one step beyond the work to its maker. This film is both autobiographical and brilliant. Its surface flow of images dazzles the viewer with sharp contrasts of black and white, startling eruptions from off screen, unexpected changes of ... the 1950s, British cinema was in danger of becoming a Hollywood cliche'. When filmmakers decided to focus on vitalizing a revolution in the industry while attempting to drown commercial dominance, Free Cinema is ...
- Word Count: 2609
- Approx Pages: 10
- Grade Level: Undergraduate