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... he is a slave, and must have others act for him. For Othello the blackness makes him simply different. He is loved, but also looked at as a spectacle. His blackness is a hindrance only because he lets it be so. Shakespeare did not confront the issue of racism as we know it in either of these plays. He used blackness as a way to ... ...
... mounting firmly to the chin, My necktie rich and modest, but asserted by a simple pin-- [They will say: "But how his arms and legs are thin!"] This insecurity is definitely a hindrance for him. It holds him back from doing the things he wishes to do. This is the sort of characteristic that makes Alfred into a tragic, doomed character. However, the imagery ... ...
... and ultimately the play, resulting in tragedy. Hamlet employs madness as a tool, but also as a double-edged sword. Hamlet's insanity is a disguise for his true intent for revenge, but also a hindrance. Schlegel affirms that Shakespeare presents a Hamlet who, "has no firm belief in himself or in anything else", and that, "his far-fetched scruples are often mere pretexts to cover his ... ...
... he is a slave, and must have others act for him. For Othello the blackness makes him simply different. He is loved, but also looked at as a spectacle. His blackness is a hindrance only because he lets it be so. Shakespeare did not confront the issue of racism as we know it in either of these plays. He used blackness as a way to ... ...
