1. Film Noir Styles in Martin Scorsese's Taxi Driver
... of faith in conventional images of American society. A type of moral ambiguity emerges in a way never seen before in cinema. In film noir, the heroes begin to skirt along the edge of corruption, eventually rooting out the villains, but typically using questionable methods to do so. "Audiences and artists were now eager to take a less optimistic view of things"," Schrader suggests ... of society can solve the crime and bring about true justice" (Reyes, 78), later versions of the noir protagonist seem to lack such integrity. They are still figures on the edge of society, and are equally t...
- Word Count: 1980
- Approx Pages: 8
- Has Bibliography
- Grade Level: Undergraduate