1. Montage styles of Sergei Eisenstein and Dziga Vertov
... rest is eliminated. In this sense, Vertov's documentary form structure maintained a rather simple additive structural format of montage while Eisenstein's collision montage employed interactive structural formation. In the creation of a story, Eisenstein's montage of attractions and collision editing have performed as a machine and organism utilizing self-sufficient building blocks of cells as a fuel to energize and create a steady stream of montage ... which developed dramatic story and meaning in control, orchestrating towards a purposeful destination- the final theme. Vertov's creati...
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- Grade Level: Graduate