... Madeleine's apparent motivations and mannerisms are in fact a fabrication created by Judy, an actress. The red robe that she wears as she steps out of the bedroom imbues her with an aura of danger, the music mounting in a crescendo to add to the effect of her entrance, which ... portrait, communicating to the audience that Madeleine is constructed as a fictional character rather than a real person. Her slow, deliberate, movements as she steps out of the room, her ethereal white blonde hair, her distant eyes, dreamy voice and lingering gestures are all components of a contrived, haunted pe...

• Word Count: 868
• Approx Pages: 3
• Grade Level: Graduate

... , the manipulative hunchback Cousin Lymon, and the evil criminal Marvin Macy. McCullers' usage of social outcasts and her emphasis on their physical handicaps underscores their emotional deficiencies as the characters fall into a love triangle and each character shows their love for their respective beloved in awkward, childlike ways. McCullers also distorts time in the story; chronological order is thrown to the ... characters and the narrator that McCullers uses in her story elucidate their emotional defects, especially their misinterpretation of love. All three of the characters see l...

• Word Count: 426
• Approx Pages: 2
• Grade Level: Graduate

... time comedy plays were a big success. Instead, William creates a tragedy play, about "two star crossed lovers" from two different worlds who will fall deeply in love with each other and suffer the consequences of society around them that does not let them choose who they are to be with, ... as if it would closely resemble what sixteenth century England would look like physically, with the close proximity of the buildings, no sewage disposal except for out of a window, and the clothing that an actual Englishman would where back then. Also, the influence that a few individuals would have ...

• Word Count: 1874
• Approx Pages: 7
• Grade Level: Graduate