... . Unbeknownst to Scottie in the apartment scene, Madeleine's apparent motivations and mannerisms are in fact a fabrication created by Judy, an actress. The red robe that she wears as she steps out of the bedroom imbues her with an aura of danger, the music mounting in a crescendo to add to the effect of her entrance, which seems contradictory to her fragile, helpless ... which she stands is evocative of a painted portrait, communicating to the audience that Madeleine is constructed as a fictional character rather than a real person. Her slow, deliberate, movements as she steps out of the...

• Word Count: 868
• Approx Pages: 3
• Grade Level: Graduate

... characters and the narrator that McCullers uses in her story elucidate their emotional defects, especially their misinterpretation of love. All three of the characters see love as something to coerce out of another person, a sense of personal satisfaction that can be bought with material goods. The characters in the story crave to love someone else but fear to be its recipient ... usage of distortion showcases these emotional aberrancies in a brilliant usage of reverse psychology; by actively showing her readers through the story what love is not, she empowers them to venture out for th...

• Word Count: 426
• Approx Pages: 2
• Grade Level: Graduate

... that happen in William Shakespeare life in sixteenth century England, he draws from these and reintegrates them into his play (ex. The man crying out the window: "A plague on both your houses." and when Viola and Shakespeare first meet at the palace that night, when William was not ... as if it would closely resemble what sixteenth century England would look like physically, with the close proximity of the buildings, no sewage disposal except for out of a window, and the clothing that an actual Englishman would where back then. Also, the influence that a few individuals would have on th...

• Word Count: 1874
• Approx Pages: 7
• Grade Level: Graduate