1. Montage styles of Sergei Eisenstein and Dziga Vertov
... explanation which was very different from Eisenstein's collision montage. Along with differences in styles of montage, Eisenstein and Vertov had also adopted contrasting overall formation of structures and creation of stories. In overall structure, Eisenstein's mere juxtaposition of images could never determine the impact on a whole film. Montage account is significant at the local level but not at the overall level ... eyes of the audience. In metaphoric analogy, Eisenstein would be described as a creative artist drawing with many colors to tell stories of his mind while Vertov would b...
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