... . In this case of the opening credits of Barbarella, it applies to the latter as there aren't any other male character for the audience to identify with in the sequence therefore she is being fetishize by the spectator in the auditorium. The use of bright colours in her spacecraft emphasises on the psychedelic era of the 1960's. From a semiotic perception, it triggers a "make love not war" theme for the audience ... produced (Denzin, 1995). In addition, the position of the audience in the cinema is obviously one of repression of their exhibitionism and project of the repressed desire on t...

• Word Count: 3430
• Approx Pages: 14
• Grade Level: Undergraduate

... The rock, when one came to think of it, was the utmost expression of human need . . . the highest comparison of loyalty in love and friendship. Christ Himself had used that comparison for the disciple to whom He gave the keys of His Church. And the Hebrews of the Old Testament, always being carried ... in the heat, had confused the traveller, who was sensitive to the shape of things. (17-18) In resignation the priest closes his eyes, "to rest them from the intrusive omnipresence of the triangle" (18), and in this moment-which echoes a similar moment of potential narrative stillbirth in th...

• Word Count: 7335
• Approx Pages: 29
• Grade Level: Undergraduate