Medea: The Heroine At first glance, most people today would likely be perplexed and disturbed at calling a mother who kills her children a hero. But this stems from the common modern vision of a hero as the embodiment of "good- (and by contrast the villain as the embodiment of "evil-). In ancient Greek mythology and literature, especially as delineated by Euripides ... , who can effectively confront her with an argument "Medea herself. In the monologue she delivers after she hears that her fatal gifts have been delivered into the princess's hands by her children, she pleads with herself, chang...

• Word Count: 1681
• Approx Pages: 7
• Grade Level: High School

... . 2.) Before the alphabet, the Greeks were an oral society. They would discuss various topics in groups and talk in public areas. Homer's stories were not written down. They were memorized by heart and then told to the public. One if his stories, The Odyssey, taught there was something much more important than battles, and death. It showed that connecting with family ... topics of the day. With people stating their thoughts and opinions all other the city, politics began to transform into entertainment called drama. These dramas were performed at festivals accompanied by music. This was ...

• Word Count: 1005
• Approx Pages: 4
• Grade Level: High School

... based on legends and Herodotus' history. Aeschylus, father of tragic drama Aeschylus is the earliest of the three great Greek tragic dramatists (the others are Sophocles and Euripides). His plays are marked by a strong moral sence, demonstrating that suffering is the inevitable consequence of sin, until the wrong doing has been expiated. Aeschylus enriched the drama with his technical innovations ... comic playwrights Aristophanes introduced the coarse type of comedy known as "old comedy". His plays slashed at social and political abuses. His jeers at the tragedies of Aeschylus and Eurip...

• Word Count: 2001
• Approx Pages: 8
• Has Bibliography
• Grade Level: High School