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... films of the 70`s can be seen as a backlash against decades of simpering Australian filmmaking, harking back to the notions of England as the old country and the feelings of exile with no notions of going home' alone in an oppressive, barren land, trapped in the inhospitale Australian landscape. Ocker films may also be an acknowledgement of the immigartion surge from ... ...
... for honesty and integrity as provincial administrator under the French and as Bao Dai's Minister for the Interior in the 1930's but quitted the colonial regime and went into voluntary exile before World War II. Fiercely independent, and both anti-colonial and anticommunist, he spurned offers for high administerial posts by both Ho Chi Minh and the French. Committed to the ... ...
... for honesty and integrity as provincial administrator under the French and as Bao Dai's Minister for the Interior in the 1930's but quitted the colonial regime and went into voluntary exile before World War II. Fiercely independent, and both anti-colonial and anticommunist, he spurned offers for high administerial posts by both Ho Chi Minh and the French. Committed to the ... ...
... beyond human justice. Bacon created this artwork at the end of World War II when the accounts of Nazi death camps were beginning to emerge. The three figures act as a metaphor for the corruption of the human spirit and Bacon's revulsion at humanity's injustice towards individuals. The overall mood of the artwork is violent, with the subjects writhing in pain and ... ...
