1. Death Comes For The Archbishop
... this narrative is atemporal" (131-32). Such an approach, invoking Cather's own sense of the novel's double orientation-pictorial and typological-provides a useful frame for any formal reading of Death Comes for the Archbishop, foregrounding various evidently self-conscious iconographic symmetries: the pairing of Manuel Lujon and Buck Scales in "Missionary Journeys" as types of the good ... Brooks treats narrative as behaving temporally like Freud's living but death-driven organism, something "stimulated from quiescence into a state of narratability, into a tension, a kind of irritation, ...
- Word Count: 7335
- Approx Pages: 29
- Grade Level: Undergraduate