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The Stanislavski System

 

            "The more I think about acting, the shorter my definition of good acting becomes. If you ask me how I define it, my answer is: it is the kind of acting in which there is a supertask and a through-action. Bad acting is where there is neither"" - Constantin Stanislavski .
             This essay will explore the dynamics of organic acting and how the development of Stanislavski's system contributes to our understanding of realism and the perfection of technique. The first question that comes to mind is: what exactly is realism? In my opinion realism is an extremely laborious process of planning and creating so that a character seems natural and effortless. A realistic character should contain ideas, genuine feelings and emotions that should be apparent in the actor's physicality on stage. The actor is not simply there to tell a story, the actor should embody the story. Organic acting is not an accurate representation of reality; it is reality being shown to the audience through a fourth wall. It is also important that this reality is presented artistically and creatively. .
             Furthermore, the actor should be in complete control of his instrument, being able to manipulate each muscle or inflection seamlessly. Having a dual consciousness; staying honest to his true emotions, but also focusing on his form and physicality. By exposition of the human spirit, an inner truth is revealed. By allowing one's consciousness and subconsciousness to function in unison, a deeper sub-consciousness is accessed and by allowing one's true emotions to take control of one's instrument. It is when instinct and inspiration takes over and conscious creativity blooms. .
             The essence of organic acting lies in the perfection of Stanislavski's, "Method of Physical Action," as well as a clear understanding and application of "the system." Using his Method, one must be able to recreate human behaviour so accurately that it affects one's emotions.


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