In stanza 15 he personifies the cracking ice as it "growled, and roared and howled, Like noises in a swound!" Already, one can see Coleridge's heightened interest in nature as he describes it with a somewhat ominous, mysterious supernaturalism and this is shown many times over. In stanza 105-106, there's a hair-raising wind that blows past the mariner "Like a meadow-gale of spring" The romantic element of this poem is especially strong when the mariner uses the simile of a painting to describe the stillness in the ocean: "As idle as a painted ship Upon a painted ocean." This description of eerie stillness isn't only gothic, but romantic in the fact that it highlights how natural surroundings feel emotionally to an individual. This strong emphasis on nature, along with the feelings of unknown terror it invokes, introduces the idea of how mankind is subject to the will of an unknown force or forces. This can't immediately be seen by just the mere description of nature, but the situation by which the weather conditions take place.
Indeed, upon analyzing the context of such weather changes, it can be seen that the weather conditions are actually a result of God's will – particularly when it's discovered that the mariner has killed the albatross. After the mariner shoots the albatross, nature isn't only characterized by unknown terror, but a mood of decay. The sun in stanza 27 is described as taking on the color of blood. This grim image of a bleeding sun introduces the notion of death, as death is what literally follows when the mariner's crew mates die. This awry turn in mood after the albatross is killed exemplifies the fact that the mariner had done something wrong. It's especially apparent that he'd done wrong by God when the albatross is used as a metaphor for the crucifixion of Jesus: "Instead of the cross, the Albatross About my neck was hung" (II-34).