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"Sweat"

 

Delia picked up a metal skillet and threatened to defend herself from her husband as he cowed in fear of being hit. This new approach from Delia, involving a new intimidation, shows how her unnecessary sweat and hard work had gotten to be too much. The act of seizing a skillet from the stove to protect herself symbolizes how in essence, Delia is trying to defend her home. The skillet is a fragment of the house, and as she stands in her shielding stance, she is using her home to protect her home. .
             Delia is aware of Sykes's plans to take the house from her and use it for himself and his mistress Bertha, and she refuses to let that happen. With rage and anger towards her husband, Delia states, "That ole snaggle-tooth black woman you runnin" with ain't comin" heah to pile up on mah sweat and blood. You ain't paid for nothin" on this place, and Ah"m gointer stay right heah till Ah"m toted out foot foremost." (Hurston 680). Her home is all Delia has. She worked hard for years and years to build and maintain the house she loves, and the last thing she will ever allow to happen is for someone to take that away from her. .
             As she lies on her bed, Delia gains a moment of comfort, and a getaway from her great disdain. She is able to create a spiritual barrier from the mistreatments she receives from her unscrupulous husband. The bed is her Eden, her only resource for relaxation and a content being. Even the hamper in the bedroom is the only group of clothing that is considered neat and tidy, representing the cleanliness of the room. Everywhere else in the house, Sykes would step on and trample over the clothing Delia had to clean. He had no respect for his wife and her work. The bedroom used to be the only place that hadn't been defiled by Sykes, until he slept with Bertha in it. Knowing of this travesty brings Delia over the edge. .
             Sykes's physical cruelty and unfaithfulness go together, and are apparent not only to the one's involved, but outsiders as well.


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