He "saw this .
kind of metaphysical despair as more intellectual than emotional." .
The next lines portray an image of repetitiveness and uselessness:.
Our dried voices, when.
We whisper together .
Are quiet and meaningless.
As wind in dry grass.
Or rats" feet over broken glass.
In our dry cellar .
The consecutive use of the word "dry" conveys a feeling of deadness. If everything is .
dry then all growth is annulled. Without birth or growth there can be nothing. The arid .
and desolate physical landscape promotes a feeling of barrenness while the "dried voices" .
are empty and vacant, carrying connotations of death and ruin. Eliot's next reference to .
"broken glass in our dry cellar" literally examines the pointlessness of the cellar. It has .
been abandoned while only rats now inhabit it. The uselessness of the cellar symbolizes .
the uselessness of human beings who have no control over anything the world will throw .
at them.
Shape without form, shade without colour, .
Paralysed force, gesture without motion;.
To describe the cellar in terms of binary oppositions Eliot wants to emphasize its .
unnecessary qualities. Instead of just using adjectives Eliot includes an adjective and its .
direct opposite to paint a more vivid picture of the colorless and formless setting. In fact, .
everything is formless and colorless even the entire poem. .
The concluding lines of part one make crucial references to Dante's "Divine .
Comedy":.
Those who have crossed .
With direct eyes, to death's other Kingdom.
Remember us-if at all-not as lost.
Violent souls, but only .
As hollow men .
According to Dante there are a variety of places someone's soul can go after death; .
people may go directly to Paradise or directly to Hell. There are also people "who by .
virtue of their pointless drifting through life have gone to a sort of nowhere, a .
nothingness, a Limbo at the outskirts of Hell." This place of nothingness is what Eliot .
means by "death's dream Kingdom.