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Foreskin

 

He "plays the game" according to the old myths of rugby, defined by Tupper as "KOed out of your scone last week, hero this week this is how legends are made!" Ken made the fatal decision to follow the old myths in a world that is quickly modernising, where it is no longer all for one and one for all, but everyone for himself.
             The second example of internal conflict is Foreskin. The main character of the play, Foreskin is educated up at the "univarsity" as the others like to mock it. He is also a smart arse, as we see established right from his first words, "Now that's an interesting philosophical question." in response to Tupper's "Whaddarya?" Foreskin is a symbol of the nation's identity crisis. He represents the theme of the play, how do New Zealanders define their national identity when the old myths and the Lore, playing the game, are no longer relevant. Foreskin has always been perfectly happy having a foot in both worlds, up at the "ivory tower" and "coming back here keeping some involvement." His "folly" is rugby, which he plays to "make poetry through motion". Building up throughout the play is Foreskin's lament, which eventually bursts out into one long speech at the end of the play, in which Foreskin mourns thee passing of an age, the age of rugby heroes. He knows that for New Zealanders, the myths and lore will no longer mean what once seemed such a stable identity for New Zealand. His lament ends with a series of "Whaddarya?" questioning New Zealand as a nation, asking them to define their national identity when the old myths and the Lore, playing the game, are no longer relevant.
             After the game against Ngapuk, in act two we learn that Ken has been kicked in the head again and is at hospital "still in a coma". Here we see the beginning of Foreskin's Lament. It has always been "comforting" for Foreskin to believe that heartland, rural New Zealand is the "heart and bowels of this country.


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