This can be seen when the Chorus says, commenting on Creon's decision to kill Antigone, "Lucky are those whose lives know no taste of sorrow" (640-642). This statement by the Chorus displays how in this community, the individual is looked down upon by the other members for not conforming to the laws of the ruler. Creon's harsh ruling also says something about personal freedom in this community. The fact that Antigone is not allowed to follow the will of the Gods and express her own beliefs show a strong lack of personal freedom to the people of Thebes. Antigone is able to question Creon's laws because of her determination and courage. She is unrepentant, as she does not believe that she has committed a crime. In the climax of the play, she chooses the divine laws of heaven over the laws of the state. She declares that the laws of the state are not binding in her case because they have been laid down by a man when she says to Creon, "I did not believe your proclamation had such power to enable one who will someday die to override God's ordinance, unwritten and secure" (496-499). Although blasphemed by her community initially, as the play goes on people more and more begin to realize that what Antigone did was the right thing. This is how the good that arises from Antigone's individualism is related to the good of the community. Ismene is the first one to realize she is wrong to not be on Antigone's side, saying, "But in your troubles I am not ashamed to sail with you the sea of suffering"(594-595). The Chorus is the next part of the community to come to this realization. After Teiresias, the blind prophet tells Creon his prophecy, the Chorus tells Creon, "The girl-go now and bring her up from her cave and for the exposed dead man, give him his burial"(1175-1176). Finally, after seeing his family all dead due to suicide, the end of the play brings Creon to realize his law was unjust and punishment to Antigone wrong.